"The beauty of the world so heavy": Reginald Dwayne Betts, Seyla Benhabib, and Hannah Arendt in "The New York Review of Books"
A comparion between silent-film comedians and sixties bands – and the memory of a similar comparison between those bands and Impressionists
"Booth, Jefferson, Mansfield" and the decline of the American theater in John Dos Passos's "Manhattan Transfer"